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| The trees are now painted, and it's time to add the water and the sky! |
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| There are some fall colors on the maples in the background. Mostly I just wanted some of the reds elsewhere in the painting. Also, the painting was going to be a little surreal anyway, and I thought it would be a good idea to eliminate some of the "springtime" and make it a little more "timeless." |
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| Unfortunately this is the only picture i have with the sky and pond painted in before the cherry boughs were added. The glare is bad and so is the angle. Well, I'm learning. You can still see what a big difference it made to add the sky and water. It's gone from interesting but a bit bland to being really beautiful. You can see clearly in this picture that the pink tree is too bright. It subsequent pictures, you will see how I attempted to tone it down. The reflections of color in the water weren't intended to be completely realistic. I was just using the water to bring some of the colors down into the bottom of the painting. |
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| Now I'm finally adding the cherry boughs. The painting desperately needed some extreme foreground to balance it out. Drawing out the branches and flowers wasn't so bad, but painting them took much longer than I anticipated. It was the longest, most boring part of the whole painting. I kept telling myself, as I painted each petal on each flower, that it didn't need to be exact. This is the part where I really prayed that God would give me patience and perseverance to keep at it and get it done! |
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| Here is a close up of the cherry boughs in varying stages of paint. The bird doesn't look very cute yet, but it will soon. |
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| After the cherry boughs and the bird were painted, I had to go back and touch up other things. The pink tree still needed some work. Tree trunks got touched up and more textural details were added. Some of the details of the geisha needed to be brought out. The highlights on the bridge were made brighter and the shadows were made deeper. I had to bring more yellow/orange from the sky down into the water, and add more details to the bushes. The large tree on the right side of the painting especially needed more work, along with the willow. I added a lot of leaf detail to the willow and fixed the highlights on the trunk of the willow. I also added highlights to the rocks. That was a significant difference. |
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| I brightened highlights and deepened shadows, added more details. I made the clouds brighter and more realistic to help balance out the cherry boughs at the bottom. |
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| The bird was my very favorite part of the painting to paint. It was a welcome relief from all those blossoms! My clients wanted some kind of animal- suggestions ranged from birds to koi to possibly a panda. Out of the birds, cranes and ducks were high on the list because of the cultural relevance. However, such a bird was much too powerful for the painting. One of the main requests was that the painting would be "peaceful." The sound of water and of songbirds are particularly relaxing. And that is the story of the bird. |
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| I added a border to the outside to finish it off. My clients particularly didn't want to worry about paying for custom framing. Sometimes artists just paint around the sides of the canvas. In this case, that wasn't enough. It needed a little extra "pop." A little trivia note: I almost forgot to sign it! |
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| All pictures copywrite Carol C. Hill 2007 |
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